Skip to content
Recess homepage

Assembly

Primetime

Alexandra Bell

Date:
January 4–March 3, 2018

Recess Assembly, 370 Schermerhorn Street, Brooklyn, NY 11217

Public Hours:
Thursday - Saturday, 12-6pm

From January 4–March 3, 2018, Assembly’s public storefront gallery will host Primetime, a project by Alexandra Bell that will explore the role of stereotypes, messaging, and news media to directly engage issues of racism, gun violence, and police brutality. Similar to Recess’s seasoned Session program, which allows artists to pursue works in progress in a public setting, Assembly grants participating artists the opportunity to activate and add to the space cumulatively, working toward an evolving installation rather than a static exhibition.

Alexandra Bell’s gallery activation will create an evolving and multimedia body of work bridging the original definition of stereotype—a rigid and reproduced impression used for printing a text—with the contemporary notion of stereotyping—the subconscious belief that certain actions or behaviors of an individual defines that of an entire group. Through the repetition of audio, text, and images, Bell’s project will investigate what it means when the circulation of media narratives engenders the reinforcing and proliferating of stereotypes.

Specifically, Bell’s project will unfold across three bodies of work. The first will explore reporting on the “Scottsboro Boys,” a group of nine Black teenagers falsely accused in Alabama of raping two white women on a train in 1931, and the “Central Park Five,” five Black and Latino teenagers from Harlem who were wrongly convicted of raping a white woman in New York City's Central Park in 1989. In another series, Bell will explore press media accounts of mass shootings in America. Finally, Bell will use recorded audio to address the disturbing reality of Black hypervisibility, whereby death becomes primetime spectacle in American news media.

In addition to her work on Primetime in the gallery space, Bell will participate as a guest teaching artist during the educational diversion programs, and she will collaborate with lead teaching artist Shaun Leonardo to incorporate material from her project into the program’s curriculum. Bell will also guide program participants in creating final projects that, once complete, will appear alongside her work in the storefront gallery.

About the artist

Alexandra Bell

Artist

Alexandra Bell (b. 1983) is an interdisciplinary artist who investigates the complexities of narrative production, consumption, and perception. Utilizing various media, she deconstructs language and imagery to explore the tension between marginal experiences and dominant histories. Through investigative research, she considers the ways media frameworks control how narratives involving Black communities are depicted and in turn disseminated under the aegis of journalistic “objectivity.”

She considers a range of media, such as dictionaries, style guides, early broadsides, and broadcast news as central to the formation of collective identities. She accumulates news records, mines editorial databases, and restructures textually and visually produced narratives to control the elasticity of language and image. By physically outlining and revising editorial frameworks, she attempts to make visible the white racial sovereignty of today’s most revered institutions and use visual art to liberate marginalized communities from racist media fabrications.

She is the recipient of numerous awards and fellowships including the International Center of Photography’s Infinity Award (2018), Catchlight Fellowship (2019), Soros Equality Fellowship (2019), Sarah Arison Artadia Award (2020), and a Radcliffe Fellowship at Harvard University (2022).

Her work has been exhibited at Jeffrey Deitch Gallery, Charlie James Gallery, MoMA PS1, Whitney Museum of American Art, MCA Chicago, Spencer Museum of Art, MFA Boston, and We Buy Gold.

She received her B.A. in Humanities from University of Chicago and an M.S. from Columbia University’s School of Journalism.

Projects

Website

In January 2017, Recess launched Assembly to serve as an artist-led alternative to incarceration while empowering young people to take charge of their own life story and imagine a positive future through art. Through the 40-week Peer Leader program, our young people are exposed to various mediums of art making, careers in the arts, and internships at arts and culture spaces around the city as a pathway to a career in the arts. A guest artist joins each new cohort of the program and collaborates with youth on a project in our public storefront gallery.

Explore/Archive

See all

July 16–August 18, 2024

The Forever Museum Archive: Circa 2020_An Object 

Onyedika Chuke and Assembly

a series of events, political polls, and artistic gestures chronicling events of 2020 in hindsight

November 11, 2023–January 25, 2024

Session & Assembly Collaboration: BARRO

Marcela Torres and Assembly

Torres in collaboration with Assembly will explore the history of New York through its soil and natural clay deposits.