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Untitled (Incall) interrogates the material overlap between the art and sex industries to address the ambivalent labor identity of cultural producers.

Political Intimacy, a collaboration between Recess: Assembly and Pratt Institute students, demystifies and humanizes local electoral candidates.

The Gallatin Galleries, Assembly, with Shaun Leonardo and Peer Leaders—What role can art, the image and and performance play in abolition?

Through: The Fold, The Shatter continues material investigations into the ways in which glass creates encounters of perceived visibility, intimacy.

Living Relics draws out a shared sense of loss and understanding of death that hasn’t yet been physicalized in the body or manifested in thought.

Petición; for Exorcism is an installation that uses scent as a tool for ritual practice, the space will often have smoking incense and ash.

The American flag, when deep-fried, forms an outer skin that appears to be cankerous, bubbling with calcified flour and charred detritus.

Pur·suit is a 54-card poker deck by artist Naima Green that features portraits of queer womxn, trans, non-binary, and gender-nonconforming people.

Microbial Speculation of Our Gut Feelings uses the gut’s microbes as a way of looking into immigrant health and resisting processes of colonization.

Duppy reflects Udemezue’s complex longings and projections of nostalgia toward his and his mother’s homeland, Jamaica.

Life of Mohammad constructs a fictional single life from the lives of seven real people named Mohammad.

Slaysian Dynasty is a media installation that will serve as a space of dialogue and performance exploring the intersection of Asian Queer and Trans.

Ash Arder will develop Disco Gardens, a roving micro library and record shop devoted to the study of environmental concepts in Black music.